April 30, 2009
Posted by kpaoletta under Link
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If I may:
Yes, I know this video isn’t particularly new, nor is the single.
But goddamn, it’s just so good. One of those that I watched a few weeks ago (or whenever it came out), and for whatever reason I just keep coming back to it.
I want I want I want.
April 21, 2009
Posted by kpaoletta under Books
, Ten Things
1. “Antiquarians say we are, — and — and we have an old seal, and a very old silver spoon, round in the bowl, like a little laddle, with a rambling lion on the handle, and a castle over him.”
2. Moreover, her affection iself was less fire then radience, and, with regard to the other sex, when he ceased to belive he ceased to follow: contrasting in this with many impressionable natures, who remain senuously infatuated with what they intellectually despise.
3. Left to his own reflections, Abraham soon grew drowsy.
4. They followed the road with a knowledge that they were soaring along in a supporting medium, possessed of original and profound thoughts, themselves and surrounding nature forming an organism of which all the parts harmoniously and jotusly interpenetrated each other.
5. The wheat-rick shrank lower, and the straw-rick grew higher, and the corn-stacks were carted away.
6. “…But you can raise up dreams with your music, and drive all such horrid fancies away!”
7. The struggles and wrangles of the lads for her hand in a jig were an excitement to her no more; and when they became fierce she rebuked them.
8. There are counterpoises and compensations in life; and the event which had made of her a social warning had also for the moment made her the most interesting personage in the village to many.
10. Izz spoke with a magnanimous abandonment of herself to the situation; she could not be — no women with a hear bigger than a hazel-nut could be — antagonistic to Tess in her presence, the influence which she exercised over those of ehr own sex being of a warmth and strength quite unusual, curiously overpowering the less worthy feminine feelings of spite and rivalry.
April 12, 2009
So, I am instituting a new tradition here at 21dB: Ten Things. Every week, I will compile a list (in no particular order) of ten things. Those ten things will all revolve around a common theme, that will change based on… well, whatever I feel like. This week: ten electronic songs on my “Recently Added” playlist.
1. Pop Song – Starfucker
2. You Hear Colors – CFCF
3. So Bored (Wavves Cover) – Anamanaguchi
4. Let’s Get Ravey (Skream’s Remix) – Odawas
5. Please Don’t Touch (The Golden Filter Dub Mix) – Polly Scattergood
6. Dude You Feel Electrical – Shout Out Out Out Out
7. 6669 (I Don’t Know if You Know) – Neon Indian
8. Weak 4 Me – Nite Jewel
9. Blissout – Lemonade
10. Mr. No (Phaseone Remix) – Banjo or Freakout
April 7, 2009
I recently had the opportunity to check out some of the exhibits running at two of the biggest Art Museums here in Boston, most notably “Titian, Tintoretto, Veronese: Rivals in Renaissance Venice” at the Museum of Fine Arts Boston and “Shepard Fairey: Supply and Demand” at the Institute of Contemporary Art.
Now, I like Renaissance art in general, though at times the emphasis on portrature can become a tad annoying(oh my, the nephew of the Archduke of Milan holding a duck… marvelous!), and the repeted depictions of certian biblical scenes can get a bit tiresome. This exhibit, though, just about floored me.
Tintoretto, Kickin' it like a Gangsta
The first thing I loved was the way that it was designed. Similar paintings by Titian, Tintoretto and Veronese are not only placed side by side so that you can compare their interpretations, but also placed in relation to each other, so that you can see how one particular artist’s conception of a theme evolved. Very cool stuff.
Likewise, the selection is just plain masterful. With such a huge variety of art to pick from, it would be easy to just throw up as many paintings by the artists as the museum could get it’s hands on– but instead, this exhibition was restrained and pointed. Every painting served as a specific and unique element to the exhibition as a whole.
Where the Venitian Renaissance Exhibit wowed me with it’s design and thoughtfulness, the Shepard Fairey just kicked my ass. It’s easy to dismiss Fairey once you’ve seen the 800th or so iteration of the “Obey” theme, but this exhibit (the first ever of his work) showed a depth of interest in style in his prolific career that you miss from the scatter shot stickers, t-shirts and murals that now coat most major American cities.
"War by Numbers"
While it’s hard to pick out any specific piece of his art as a master work or anything like that, what’s clear from this exhibition is that Shepard Fairey has managed to create a phenomenon– even if it is one with out a clear purpose or message. The brilliant thing about him is that he has managed to create a booming voice for himself based on the non-sensical “Andre the Giant Has a Posse” campaign, and it is only lately that he has begun to use that voice to any actual effect. Very, very engaging stuff.
Also worth checking out at the MFA are the exhibits currently running about advertisements from the late 19th Century (I’m a sucker for Art Nouveau) and their Photography galleries… pretty much always. The ICA also has a cool exhibit on experimental situational film running that’s worth looking at, and it’s worth the price of admission alone for their permanent gallery and the fabulous space it’s housed in.
And since I couldn’t be satisfied with just one representative Fairey picture…
"Two Sides of Capitalism: Good" (Not pictured: evil.)