Welcome to the inaugural New Music Tuesday here on 21db! NMT is usually about reviewing new music releases, but that’s not what I’m particularly interested in. I consume a lot of music, and I intend to talk about what’s new to me. Any music that I have procured since the last NMT is up for consideration. Old, new, indie, underground, mainstream, local, free, it’s all good. And, really, I hope to introduce y’all to rad new tunes!
I only know about Causes 2 because I love The Decemberists. Being an unabashed fanboy, I added myself to their mailing list not too long ago. In addition to the sweetness of ordering The Hazards of Love early, I enjoy the pleasant ramblings that enter my internet-box once a month or so. The most recent missive included a promo for Causes 2, as it contains a live rendition of After The Bomb. I checked out the set list, and decided that it was totally worth my 8.95 to check it out (LCD Soundsystem, Matthew Dear and RJD2 all help). And, oh yah, the money goes toward Doctors Without Borders, Human Rights Watch and Oxfam to aid in humanitarian efforts in Darfur. What’s not to like?
After giving it a couple of listens, it’s totally worth the money, but it’s not the greatest album I’ve ever heard. It’s about 1/3 totally rad, 1/3 good-but-unmemorable, and 1/3 really? like, for real? For the most electronica-influenced remixes and exclusive tracks, with some more world beat and indie-rockish stuff to spice it up.
My picks/new bands to check out: in addition to the aforementioned Decemberists (After the Bomb), Matthew Dear (When She Don’t Need Me) and RJD2 (Wherever), I will keeping an eye out for Black Moth Super Rainbow (Happy Melted City reminds me of the Samurai Champloo opening music) and Neon Neon (how can any dance track called I Lust U not rule?). I also like the My Morning Jacket Highly Suspicious Remix.
I recommend it if you’re into weird electronica-ish stuff AND/OR you want to feel good about yourself for making a largely symbolic effort to help Darfur. I will probably end up putting about half the album on my regular rotation, methinks.
Kyle: Can I borrow your car?
Kyle: Cool. I feel like I should give you a present to signify my gratitude.
Me: Yes, you should.
Next thing I know, there’s St. Vincent on my passenger seat. Well, not Annie Clark herself (St. Vincents street name), but a copy of Marry Me, which I believe is her debut album. The best way I can describe her sound is like a weird mashup of Jesca Hoop and My Brightest Diamond, but with not as polished of production. Don’t get me wrong, I really like her voice, and the album is very solid; I’m just a huge audio production nerd, and the recording quality of the CD I have is just not very high. That aside, I’ve given it a full listen-through about four times in less than two weeks, which is a good sign.
This album encompasses a wide variety of variations on a theme. That theme is, of course, “I got some pipes and really good music-writing abilities, don’t fuck with me”. My favorite track by far is Your Lips Are Red. Which sounds nothing like the rest of the album, but it gets me. Check it out: